Over the weekend, Europe's box office was notably impacted by a heatwave, causing a decline in movie attendance as the blockbuster โStar Warsโ sequel, โAttack of the Clones,โ began to lose momentum. Industry insiders are now eagerly awaiting the release of โSpider-Manโ in the upcoming weeks, predicting a potential resurgence.
Meanwhile, in Japan and Latin America, โSpider-Manโ continued to dominate, generating significant revenue through its ongoing run. Films like โPanic Room,โ โShaolin Soccer,โ and โ40 Days and 40 Nightsโ also performed well, securing impressive earnings across various markets.
โClonesโ entered its third international release, earning approximately $18.2 million across 70 countries on roughly 5,500 screens. Its cumulative international total reached about $159.5 million. Despite this, the film experienced substantial drop-offs in several key regionsโmirroring the decline seen in the U.S.โwhich raises doubts about surpassing the $494 million overseas gross of โEpisode I.โ
In the UK, โClonesโ accumulated $37.5 million but saw a steep 62% decrease, coinciding with a 40% overall market decline due to the Queenโs Jubilee festivities. Germany and France saw drops of 43% and 47%, respectively, while Australiaโs takings fell by 41%, and Spain experienced a modest 31% decline.
โSpider-Manโ also made significant strides, earning $14.4 million from 3,551 screens across 34 countries, bringing its total gross to $124.2 million. Notably, it set a new industry record in Colombia, where it earned $895,000 from 150 screens, surpassing โHarry Potter and the Sorcererโs Stoneโ by over 80%. The filmโs momentum continued in Mexico, where it grossed $24.2 million in its third week and was on track to beat โTitanicโsโ record for the highest gross in the territory. Brazil followed with $12 million, making โSpider-Manโ the second-highest grossing film of all time there.
In Japan, Tobey Maguireโs portrayal of Spider-Man saw only a 4% decline in its fourth weekend, earning $4.2 million and reaching a total of $35.1 million in the market. India experienced a 39% drop after its initial record-breaking debut, earning $2.8 million within ten days.
The comedy โShaolin Soccer,โ released during the World Cup in Japan and Korea, performed well, grossing $2.7 million in Japan from 335 screens and $2.6 million in Korea from 73 screens, outperforming expectations.
In Southeast Asia, โPanic Roomโ led in Singapore with $278,000 from 27 screens and in Thailand with $252,000 from 73 screens, surpassing โErin Brockovichโ in both markets. The film also performed strongly in Mexico, where it earned $1.5 million from 356 screensโdouble the opening of โErin Brockovich.โ Globally, โPanic Roomโ has accumulated over $67.7 million, with notable success in Japan, where it made $9.8 million in 16 days.
The romantic comedy โ40 Days and 40 Nightsโ gathered nearly $3 million in Germany from 568 screens, just behind โClones,โ and earned $1.4 million in the UK from 329 screens. In Australia, โThe Hard Word,โ a locally produced comedy starring Guy Pearce and Rachel Griffiths, opened with a solid $457,000 from 162 screens, outperforming previous Australian hits like โTwo Handsโ and โLock, Stock & Two Smoking Barrels.โ However, it faces stiff competition from โSpider-Man,โ which will debut there soon.
Some local distributors were surprised when โCharlotte Gray,โ a WWII drama starring Cate Blanchett and directed by Gillian Armstrong, outperformed expectations with $573,000 from 159 screens in Australia. Elsewhere, the U.S. sleeper hit โSnow Dogsโ had a modest release in Spain, earning $500,000 from 325 screens, with hopes for an upward trend during the upcoming holiday period.
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